The USB host support also means compatibility with devices like an Expert Sleepers FH-2 for additional control and calibration of a modular. (Headphone is also 6.35mm / 1/4″ so don’t forget – or let anyone borrow – your adapter.) (I didn’t yet get to ask about exactly how Live’s controller scripts work on the machine, but we can come back to that.) MIDI (via minijack), USB host (USB-A), connection to the computer and power (USB-C), and the two pedal outs that break out via TRS / TS splitter for four CV outs. The same goes for any keyboard or controller with driverless class support. Got an Akai APC or Novation LaunchControl? I haven’t tested it yet, but theoretically, you could can plug them into the port and they’ll act as Live controllers. That includes existing controllers with Ableton Live support. There’s also a USB-A port that acts as a host. That means you could also employ ADAT for additional CV control of modular, as with this Datanoise breakout.Ī post shared by Datanoise USB host port Those ins and outs are available to your computer, and they’re also addressable in standalone mode. That brings the total to 10 inputs x 14 outputs (2 outs, 4 outputs for CV on the pedal, 2 inputs). ( Check Pro Tools Expert for history and technical rundown if you don’t know ADAT, and be prepared to encounter Alesis and VHS and the 1990s.)ĪDAT on the new Push brings 8 ins and 8 outs, on top of your existing I/O. And yes, it’s an optical transport – that’s the red light you see. This spec came as a pleasant surprise – it means multichannel digital input and output. (I have to admit the rectangle and arc I didn’t initially recognize as meaning “user,” but it’s there.) ADAT digital I/O It’s coming soon, though – there’s a dedicated button for it at top left. I’m keen to try that, as the new sensing opens up intriguing possibilities for different layouts. On the current hardware as-tested, there’s no User Mode – this is the custom control layout as found on Push 1 and 2. There is a lot more we can do with these pads moving forward.” Jesse Terry, Ableton User mode The X/Y is continuous and we can for instance sense in between the pads. “We have two sensor layers, one for the force and one for the finger position. Don’t forget these additional velocity options, also in settings. There is a lot more we can do with these pads moving forward.Īnd yeah, while Max for Live support is still evolving (see below), the ability to eventually target this controller as a Max developer is huge. It is proprietary, designed/patented by Oliver Harms and Ralf Suckow. We have two sensor layers, one for the force and one for the finger position. I asked Jesse Terry from Ableton about the sensors onboard: It’s good enough that it’s totally conceivable to recommend the new Push for its MPE capabilities alone. You can play the grid, but you can also convincingly bend between pitches and play continuously – whereas almost every other MPE instrument I’ve ever played tends to do one well and the other poorly. They track fingers they handle three-axis expression. I really can’t overstate this enough – the sensors on the new Push are incredible. We also have some early answers for those curious about connecting gear or developing in Max for Live. I got a chance to speak to the folks at Ableton about some of those details, and how the hardware evolved. The new Push represents a technical leap forward for Ableton, both in terms of its upgradeable, Intel-based standalone architecture and its new pad sensor tech.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |